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Sony WF-1000XM6: Two-minute review
The all-new Sony WF-1000XM6 an impressive set of earbuds with a formidable set of features – especially formidable for tech journos such as me, who are obliged to stick within some sort of length limit for these reviews – but as Sony seeks to recapture class-leading greatness with its 1000X series lineup, I can’t help but wonder whether at some point we’ll reach a case of diminishing returns.
But how many mics per bud is enough to facilitate fantastic ANC? And how much do we need our earbuds to shrink before the listener decides enough is enough – because they’re actually not sure it’s made the product that much better?
But before I answer those questions, know that for sound quality alone, the Sony WF-1000XM6 are a very good set of earbuds.
Some of the best earbuds on the market then? Well, Sony has certainly sought to stuff these buds with every upgrade it can (and every feature you can possibly imagine) using its own proprietary technology.
But there’s the rub; the company that brought us 360 Reality Audio with head-tracking would absolutely love for you to use it, but the format is no longer supported on nearly as many of the big music streaming sites as it used to be – Deezer dropped it in 2022; Tidal gave up its support for the 3D format in 2024.
And in terms of hi-res Bluetooth chops, LDAC is of little use to iPhone owners, although Sony’s DSEE Extreme upscaler is here again and it does make Spotify streams sound a lot better.
So what’s excellent about the WH-1000XM6, what’s less so, and are they worth their refreshingly approachable asking fee? The design of the buds is now pill-shaped, and while the earpieces are thinner, the units are also taller with a little notch halfway up to help them fit.
Because they’re slightly more raised from their charging nest and covered entirely in a matte plastic for better traction, they boast what Sony calls “easier pick up” from their case – and I can confirm that while I wasn’t convinced about the overall fit in the ear, I didn’t drop them while first grabbing them half as much as I did the older XM5.
Sadly, the active noise cancellation didn’t live up to my expectations in real-world testing. That said, the battery life, at eight hours from the buds and up to 24 with the case – and yes, that is with noise cancellation deployed – isn’t bad at all.
Do I love them? Having spent over two weeks with them, I like them a lot, and that new antenna does provide rock-solid connection that never falters. I also liked the new Background Music Effect perk much more than I thought I would – it’s a great focus aid, allowing you to push the music back just slightly, so you can hear yourself think.
Also, Sony’s Quick Attention feature, wherein you simply cover the left earbud to lower music and quickly filter in ambient sound around you, is a winner, although this isn’t new for Sony – we’ve loved it on the Sony WH-1000XM6 and previous headphones too.
Ultimately for me though, the noise cancellation isn’t the class-leading triumph it is billed as, and competing options such as the Bose QuietComfort Ultra Earbuds 2nd Gen (and Apple AirPods Pro 3, if you’ve got an Apple source device) are offering better access to spatial audio formats and that cocoon of silence noise-nixing you may prioritize.
Add in the Technics EAH-AZ100 as an alternative – offering triple device multipoint, clearer calls and a more comfortable fit – and ultimately, while the WF-1000XM6 are talented and capable earbuds in many respects, there are other buds I would still nudge you to reach for, at this level.
Sony WF-1000XM6 review: Price and release date
- Released on February 12, 2026
- Priced $329 / £250 / (about AU$480)
- Available in Black or Platinum Silver
Thankfully, Sony’s kept a lid on price increases here here. The older flagship Sony WF-1000XM5 launched in July 2023 for $299.99 / £259 / AU$499, so the WF-1000XM6 are only slightly more expensive in the US, and are actually cheaper in the UK.
That said, Sony’s hand has been somewhat forced, because Apple’s AirPods Pro 3 came with a $249 / £219 / AU$429 price tag when they hit shelves back on September 19, 2025 – ie. cheaper or the same as the AirPods Pro 2’s $249 / £249 / AU$399 price tag in the UK and US (although in Australia, they did come with a more expensive launch price).
Other direct competition at this level? The closest rivals are most pressingly the aforementioned AirPods Pro 3, followed by premium offerings such as the Technics EAH-AZ100, which are $299 / £259 / AU$478 or the Bose QuietComfort Ultra Earbuds (2nd Gen) for $299 / £299 / AU$450. I might even mention the Bowers & Wilkins Pi8 although those are a fair bit pricier, at $399 / £349 / AU$599.
So as you can probably deduce, Sony has actually gone in quite aggressive with the asking fee here.
Sony WF-1000XM6 review: Specs
|
Drivers |
8.4mm dynamic with ‘soft edge, hard center’ |
|
Active noise cancellation |
Yes |
|
Battery life |
8 hours (buds, ANC on); 24 hours (case) |
|
Weight |
6.5g per bud |
|
Connectivity |
Bluetooth with LE Audio and LDAC; USB-C and wireless charging |
|
Waterproofing |
IPX4 |
Sony WF-1000XM6 review: Features
- 10-band EQ tab with ‘Find My EQ’ and new Gaming preset
- DSEE Extreme upscaler, LDAC, LE Audio and 360 Reality Audio
- Background Music Effect is surprisingly useful
- …but the noise cancellation isn’t the smash-hit it’s billed as
Sony has once again stuffed these earbuds with all the perks and extras it knows, but a lot of them will be a case of “Yes, we know about that – what’s new?” to fans of Sony’s WF-1000XM lineup.
So what is new? The 10-band EQ tab (it used to be limited to five) is one upgrade, plus a specific Gaming EQ preset. Sony’s more recent Sound Connect app is also newly used with the flagship lineup (this used to be the Sony Headphones app, until October 2024) but Sound Connect was already around for the budget-friendly Sony WF-C710N, which landed April 2025 – so anyone who owns those will be familiar with the ‘Find My EQ’ tab.
If you’re not one of them, I can tell you that it’s still good here: you tap on various sound profile bubbles and the software continues to supply more, based on your preferred listening choices, until it presents a personalized profile you can save as a preset.
But again, it’s something that is also available in much cheaper Sony earbuds. It’s also not a hearing test, as such (there are no diminishing tones to engage with; no analysis of your hearing and curation of a truly unique profile with augmented tones for you) and while you may not want a full hearing test, it’s worth stating that competing options I’ve mentioned do offer it, for similar money. And if you’re hoping for a huge app overhaul from the older Headphones app, you won’t get it sadly.
For me, this companion app isn’t the most intuitive. For example, the home screen is essentially a list of tabs – you can assign elements to be placed at the top of this, from the depths of the device settings, although for me this sometimes just further complicates things – but along the bottom are four smaller tabs labelled ‘My Device’ (the one you’re brought to upon launching it); ‘Scene’, which attempts to work out what you’re doing physically and also suggests profiles that can be deployed at specific times, such as ‘Gym’ or ‘Commute Home’, if you feel you need them; ‘Discover’ for your listening history (Sony likes to offer logs and ‘badges’ for listening) plus the option to deploy a gentler Safe Listening experience; and lastly, ‘Menu’.
Now, you’d think ‘Menu’ is where all the good stuff lives, but this is basically just a home for the support bot, a ‘Help’ function, backups and ‘About this app’ info.
This means that what you need to do in order to get to any tweakable features is to scroll down to a small tab at the bottom of the ‘My Device’ toggle labelled ‘Device Settings’ and from there into the minutiae of customization tabs.
It just feels like a lot of taps. It also presents many chances for newbies to venture down the wrong route, to a dead end, and then wonder how to get back to what I like to call ‘that long list I had before’. A reshuffle of the app might be sensible, to bring the user more quickly to the perks they actually want to find quickly.
At the top of these Device Settings is ‘Noise Canceling/Ambient Sound’, but although Ambient Sound has a manual incremental 20-step slider, a ‘sensitivity setting’ which can be either Standard, High or Low, an auto toggle, and an option to toggle on Voice passthrough (to filter in voices while still suppressing noise), your actual noise cancellation options are still just ‘on’ or ‘off’, which feels a little disappointing, especially given the extra mic per-bud onboard here.
Sony hasn’t listed a figure for the noise-nixing power in decibels, but the company is keen to tell us that the WF-1000XM6 are the “best noise-cancelling” earbuds it’s ever released.
Sadly, I need to manage your expectations here, because although certain sounds are indeed dulled when I deploy ANC, when I switch to the AirPods Pro 3 and it’s a different level. Want that bubble of silence feeling where the noise drops and extraneous sounds simply melt away? The kind of ANC that makes you genuinely surprised at how noisy your immediate surroundings have become, when you remove them? Sadly, the Sonys are fairly good, but they’re not that good – Bose and Apple both have them beat.
Call handling? This is also a bit of a let down – and not just because it’s been so hyped by Sony in these new buds. Although Sony couldn’t wait to extol the talents of the new mic on each bud, the new wind-nixing structure around them, plus a new AI algorithm with beamforming and bone conduction sensors to aid with both ANC and call-handling on those four mics per earpiece… in practice, callers said I sounded “muffled” when using them for voice calls, especially when compared to my regular Technics EAH-AZ100.
While I’m on the comparison, Sony’s answer to Technics’ excellent Sidetone tech, to amplify your own voice in calls, is an on/off toggle called ‘Capture Voice’ in the app, but I couldn’t detect much difference either way when trying to use it. And because I had to really screw the earpieces quite far into my ears to get a secure fit (more on this later), I think I would have benefitted from more of a boost here.
All of this aside, a lot of things are really enjoyable about the WF-1000XM6 – and Background Music Effect is top of the list. To find it, you have to scroll down that thin tab at the bottom of the ‘My Device’ tab, labelled Device settings > Sound Quality/Volume > Listening Mode > Background Music – see what I mean about decent features being somewhat hidden away?
Only then will you be able to select from ‘My room’, ‘Living room’ or ‘Cafe’, which spreads and pushes your music just a little further away from your ears each time. I thought it’d be gimmicky; I was wrong. If you’re someone who sometimes turns the TV on just for a bit of background noise to focus, or simply can’t concentrate if lyrics are too prominent in your ears, say, this feature is for you.
I also like that the on-ear controls are now fully customizable, once you’ve delved into Device settings > Controls > Change the touch sensor function > Custom. The one caveat is that if you set a long-press of the left earbud to be volume decrease (which is always my preference) you lose Quick Attention, which is one of my favorite Sony-specific earbuds features because it’s so useful – if someone starts talking to you or there’s been an announcement about the late arrival of your train, say, simply press and hold the left bud and music is pushed low while ambient passthrough is boosted.
Other pleasing notable mentions go to the app’s ability to corral my Apple Music subscription to the fold so I can see some playback information in the My Device tab, the ‘Optimal Earbud Tips’ wearer test (it’s quite strict, you know) and the option to prioritize either a stable connection or audio quality. And I should probably mention that thanks to that bigger antenna, I never once experienced any dropouts in connection with this iteration (which was an issue with the older Sony WF-1000XM5 when I reviewed them, initially).
I’ve also long been a fan of Sony’s DSEE Extreme upscaler, which takes your lossier music streams and does remarkable things to add detail and nuance. Here, it is very well implemented; I had to check more than once that I hadn’t switched over from Spotify to one of the more audiophile-friendly streaming platforms, and that is something I don’t say lightly.
There’s also multipoint to two devices and Auto Switch, for handing off the audio from your buds to your Sony Linkbuds Speaker when you come home – but that’s the only Sony speaker currently supported, so is pretty niche as an option.
Spatial audio? Ah. Yes, it’s technically here, because you can have 360 Reality Audio – if you can find any content presented in the Sony-made format, given that Tidal and Deezer both dropped support a little while ago…
Sony WF-1000XM6 review: Sound quality
- Crisp bass that neither bloats nor overstates itself
- Plenty of texture through upper mids
- Beaten for dynamic nuance and detail across the frequencies
Switching all sound profiles to ‘standard’, with a neutral EQ and making sure I’ve selected the connection profile that prioritizes audio quality (rather than a stable Bluetooth connection) in the Sony WF-1000XM6, I cue up Sevdaliza’s Mad Woman. The clock chimes in the opening of the song simmer beautifully initially, with razor-sharp leading edges of notes from the buds. And that note goes all the way down to the abyss without issue too, which is more than can be said for entry-level (and even most mid-range) earbuds.
I’m just missing an extra ounce of build and intentional distortion through the belly of the note that I know to be there – and it’s confirmed when I switch to the Technics EAH-AZ100, which have no trouble revealing it.
If you’ve heard Harry Styles’ new track Aperture, it’s a similar idea; the timing ticks along beautifully and the Sony buds never shy away from a bass drop, but I can’t help but notice when they gloss over a marginal inflection or pop within a gloriously imperfect synth note – because that wants to be remembered as such, and the buds aren’t quite recreating it perfectly.
I’m being hypercritical, of course. The sound here is very good indeed – in fact, in instrumental works such as Nicholas Gunn’s Campfire there’s an expansive and emotive soundstage wherein each musical strand is held together in a cohesive and rewarding mix.
Human breath feels three-dimensional and, for want of a better word, real. It’s just that when the flute comes in, I’m missing an iota of excitement as the soundstage builds in intensity and the shaker comes in.
That said, I’ll caveat all of this with one potential reason: I did struggle to get the Sony WF-1000XM6 to fit perfectly, even after a week with them… but that’s for the next section. If you can achieve a secure fit and seal, I do think there’d be very little in it between them and the best-sounding earbuds in their class.
Sony WF-1000XM6 review: Design
- On-ear controls are reliable and the headshell is grippy
- Divisive fit and ear-tip material – although plenty of tips are provided
- Case magnets feel a little weak
Sony has once again reworked the shape of its earbuds and I have to say that the company’s commitment to tweaking and amending the fit in the pursuit of excellence is commendable. These earbuds are 11% thinner than the older model and are very much pill-shaped from above, but they are taller.
That means – and there’s no pretty way to say this – they stick out of your ears a little more (as well as from their taller case), and there’s a little notch or nub halfway up the housing, to nestle into your outer ear.
Far from being disappointing to me, this initially quite bulbous-looking fit can work very well (see the ‘concha fit’ style pioneered by the aforementioned Technics EAH-AZ100), however, in this thinner shape, I found that getting a secure fit did involve a fairly rigorous push and twist into the ear, to get them to ‘lock in’, as it were.
I worry that in the pursuit of a positive ‘they’re smaller!’ goal, Sony hasn’t quite achieved the aim of a better fit – although fit is a very personal thing.
Image 1 of 4
I eventually achieved the best fit using the ‘S’-sized small tips (not the XS, which is unusual for me), backed up by Sony’s in-app ear-tip fit test tech, but after several hours of listening, the lower part of my antihelix and on to my antitragus did ache a little.
I also think there’s a small chance that the shape of these buds affects the efficacy of the noise cancellation – their thinness perhaps means they didn’t fill my outer ear fully, quite where they should? It’s hard to know for sure, but as someone who’s testing more buds than I can count, it felt a little off.
One good aspect of the taller buds, along with the fact that there’s no shiny plastic involved in the design, is that I never once dropped an earbud while getting them out of the case, and that is a comment often levelled at the older XM5 buds.
The ear-tips are again memory foam in style, and while I like them a lot and found them very easy to switch out (particularly thanks to the little colored bands on the bottom, so you don’t mix them up), unlike silicone options you do need to give them a moment to re-form if you inadvertently squish them while fitting.
The case is much more angular and a little taller, but maintains a USB-C charger and reset button on the back (it’ll also charge wirelessly) plus a solo green LED light on the front. It can charge wirelessly too.
My only point on the case is the magnets that snap the case lid shut; given the extra height and bulk on the top, it feels as if they could be stronger. I did an initial drop-test and it did stay shut, but I didn’t feel as confident of this happening consistently as I have with other class-leading buds.
In terms of battery life, their claim of eight hours from the buds with ANC and 24 from the case equals that of the AirPods Pro 3, which means it’s good – but this is a standard rather than outstanding figure. In testing, I got a little less from them, at seven hours before they needed charging – but my testing does often involve boosting the volume above 50% and scrolling through features and profiles.
Sony WF-1000XM6 review: value
- Stuffed full of features and far from the most expensive buds around
- …but the ANC isn’t class leading, and spatial audio might be hard to access
Do you want the best noise-cancelling earbuds on the market for noise-blocking power? If so, the WF-1000XM6 are not my first choice – but that’s not at the top of everyone’s list, and doesn’t mean you should discount them.
For sound, there’s plenty to celebrate. These earbuds offer an expansive and pleasing soundstage with neutrality and plenty of options to further tweak the sound to your liking. If pushed, I could’ve used a little more energy and oomph to allow for an extra ounce of dynamic nuance, but it’s my job to nitpick and I maintain that for sound, they’re still bang on the money. Buy them, and you won’t be disappointed in the WF-1000XM6 sonically.
But do you want device- and streaming-service agnostic spatial audio profiles with dynamic head-tracking? That’s more of an issue sadly, since 360 Reality Audio isn’t what it once was (Deezer and Tidal no longer support the format) and as such, you might feel you’re missing out – where options such as the Bose QuietComfort Ultra Earbuds (2nd Gen) do offer that, in various guises and in conjunction with tweakable ANC.
Should I buy the Sony WF-1000XM6 review?
|
Attributes |
Notes |
Rating |
|---|---|---|
|
Features |
Stuffed to the gills with perks, but the ANC isn’t class-leading – and spatial audio is hard to come by |
4/5 |
|
Sound quality |
Neutrality and faithfulness in spades, but they could use just a little oomph injection at times |
4/5 |
|
Design |
The tweaked taller shape may work for you, or it may not, but they do well in most areas |
4/5 |
|
Value |
Plenty to celebrate and competitively priced, but there are a few compromises you need to make |
4/5 |
Buy them if…
Don’t buy them if…
Sony WF-1000XM6 review: Also consider
| Header Cell – Column 0 |
Sony WF-1000XM6 |
Apple AirPods Pro 3 |
Bose QuietComfort Ultra Earbuds (2nd Gen) |
Technics EAH-AZ100 |
|---|---|---|---|---|
|
Price |
$329 / £250 / AU$TBC |
$249 / £219 / AU$429 |
$299 / £299 / AU$450 |
$299 / £259 / AU$478 (approx.) |
|
Drivers |
‘Unique’ 8.4mm dynamic with ‘soft edge, hard center’ |
‘Custom high-excursion’ Apple driver with new multiport acoustic architecture |
10mm |
10mm free-edge dynamic |
|
Active noise cancellation |
Yes |
Yes |
Yes |
Yes |
|
Battery life |
8 hours (buds, ANC on); 24 from case |
8 hours (buds, ANC on; 10 hours with ANC off); 6.5 hours (buds, heart rate sensor on); 24 hours (case) |
6 hours (earbuds, ANC off; 4 hours with it on) case not specified |
12 hours (earbuds, ANC off); 17 hours (charging case) |
|
Weight |
6.5g per bud |
5.6g per bud |
7.7g per bud |
5.9g per bud |
|
Connectivity |
Bluetooth with LE Audio and LDAC |
Bluetooth 5.3 |
Bluetooth 5.3 with aptX Lossless / Adaptive |
Bluetooth 5.3 with LDAC and LC3 compatibility |
|
Waterproofing |
IPX4 |
IP57 case and earbuds |
IPX4 earbuds only |
IPX4 earbuds only |
How I tested the Sony WF-1000XM6
- Tested for two weeks
- Tested at home, on a plane, on long train journeys, and while running (occasionally in the rain)
I used the Sony WF-1000XM6 for two weeks to complete this review. My testing process involved listening to new music on Tidal, Qobuz and Apple Music as well as podcasts and plus streamed TV shows from my Apple iPhone 15 Pro (I’m catching up on Married at First Sight UK, please don’t judge me) on long train journeys to and from London. I also paired simultaneously to my MacBook Pro and both connections were easy and solid.
I listened at home, on a quiet train, on admittedly half-hearted runs in the constant UK rain, and I even taught myself to make natural soy wax candles from YouTube videos with the WF-1000XM6.
I’ve been testing audio products full-time since 2019, firstly at TechRadar’s sister publication What Hi-Fi? as a staff writer, then as senior writer and now audio editor here at TechRadar.
My background as a professional dancer means I never tire of listening to music, and my still-insatiable need to move to what I’m hearing is what drives me to search for faithful timing, neutrality, precision, clarity, energy, and good old fashioned fun in recorded audio.
- First reviewed February 2026
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